Craftsman / Artist
His world is clay. But to us, he is rock. Rock Star of the pottery world Jim Sudal continues to amaze. While other artists rest at their benches, content to watch understudies handle production and reproduction, Jim continues to design and produce.
Careless for my own safety, I venture another visit. Pushing into hordes ten deep, from screaming jumping teenagers to powdered octogenarians, I secure two tables for local friends. Perfect for the patio, outside or in.
A few wall tiles completes my purchasing experience. There is something for everyone. It is always a pleasure giving my hard-earned money to Jim. Because he earns it!
Jim Sudal Ceramic Design 7037 E 1st Ave Scottsdale
There is always a story behind the story. Smells of clean sweat and grass at twilight on the ball field. Echoes of Widow Baxter next door reciting her daily Rosary. Seeing the bent man uptown most days as he stops to gaze wistfully at an old mansion just off Main Street.
Every guitar tells a story. One glance at an old guitar speaks volumes. Years later, a few strums can recall times past. Adolescence. High school. Slow afternoons at the feed depot. Waiting for an infant’s birth, dropping your guitar by the fence to run inside at the newborn’s first cry.
Even before high school, I knew my cousin’s Gibson was special. It sounded better than guitars on the records he played. Jeff claimed he bought his guitar from Keith Richards; Aunt Joan said it was her father’s guitar.
The clocks’ century hand has now completed a quick four decade sweep. I find myself before a WALL of Gibsons! At the finest music store this side of Planet Earth, Acoustic Vibes Music. Some of these sound exactly like Jeff’s guitar. But that was years and years ago …. How did Gibson make a new guitar sound like an old guitar? Investigation time!
Repeated visits to AVM, I enter Room Gibson and sample each of twenty-two on display. A plush Cadillac with the sleeper screaming motor, the soft cowboy crooner, a punchy piece that looks 80 years old … and sounds it! The Vintage series Gibsons receive a proprietary Thermo Cured top – well worth 25% more. No doubt, Gibson has made an amazing return to top-flight build quality from near bankruptcy in the 1980s.
After playing all these guitars, to which do I return? An unlikely mating for a man convinced a smaller-bodied short scale acoustic would be his one and only guitar love. The Super Jumbo body of the SJ-200 is a perfect fit, with curves in all the right places. The SJ-200 Vintage has the tone I can grow old with.
The SJ-200, like all my favorite artists played from the ’40s to now. Now with a premium Vintage top. The Adirondack red spruce top is Thermally Aged giving the look and sound of a seasoned SJ-200. The SJ-200 Vintage is my pick!
Tight body, no doubt. In the silent Gibson Room, I can feel the guitar coming to tune via harmonics between adjacent strings. As tones oscillate closer toward unison, Gibson build quality becomes unmistakable. Solid guitar, solid tone. With sound so clear, so crisp and exact, you’ll think you’re in a studio atop two million in equipment, recording your next Platinum Record. The one that should have been.
Ray Whitley went to Gibson in 1937. He asked Gibson to create their biggest acoustic guitar. It was given the name Super Jumbo or J-200.
Wartrace, Tennessee Stephen Gallagher’s 2002 GMC Duramax ignored the horse trailer behind it. 368,000 miles, and just getting started. Another customer delivery for Mr Gallagher. Grandson of J.W. Gallagher and heir to a guitar-making dynasty, Stephen splits his time between family, horses, pushing livestock with Waylon, and building some of this country’s finest guitars.
J.W. Gallagher, with only a 7th grade education, was the smartest man in the country. When the Army gave him an intelligence test in the 1930s his result was so high the Army gave it to him again. J.W. scored perfect the second time. He went on to spend his military hitch learning everything he could about everything. Engines, construction, woodworking, machinery, everything.
Slingerland, the percussion company, asked J.W. to set up a guitar production line in 1963. J.W. had a history of reproducing any bit of woodwork necessary; he promptly cut a dreadnought in half to figure it out. J.W. soon applied a second element, that of physics – sound and vibration. He went on to build his own line of acoustic guitars.
J.W. Gallagher never intended to own a large guitar-making concern. Family lore has it that 1,000 units was his goal; he had so many other interests, he once plainly told a customer a special order guitar was not done because there was a river full of fish nearby just waiting to get caught.
But continue and prosper it did! The famous Doc Watson received a Gallagher early on; in 1974, Doc made a request for a different shaped neck. The result is a guitar named after him, and a Gallagher best seller.
What brought on my new fascination with Gallagher guitars? After spying an image of James King on the D’Addario twitter feed, I ask the bluegrass circle of his attractive guitar. Turns out, Gallagher guitars have been nearby all my life, as close as my turntable and stack of Doc Watson records! I had to find one of these guitars …
We visit the finest music store west of our Atlantic seaboard, the inimitable Acoustic Vibes Music. Jeff Looker has two Gallagher guitars in stock, including a Doc Watson model. Over several visits I become acquainted. First impressions? Very solid. Durable. Not a dainty boutique guitar; rather, built for tone, year after year. Decades of on-the-road touring? This is the guitar you want. Reminded me of an old Gibson I played years ago …
A guitar of persuasive warmth, the Gallagher is a picker’s delight. A clear, mellow bass, uncluttered of unpure tone, accompanying a punchy upper end. As J.W. Gallagher’s website puts it, you get a deep bottom end perfect for playing those hard G runs. Which I love ❤ to do! From Tyler Grant, flat picker extraordinaire, the Gallagher is a perfect country guitar … not pop country, but an old country blues.
I begin with a typical bluegrass rhythm, an alternating bass in front of a strum. With clear full tone, the room disappears, I’m on stage, the Gallagher is doing all the talking.
“Gallagher is a builder in the great tradition of independent luthiers, that were way ahead of their time. Before Taylor and Collings and Santa Cruz hit the map, Gallagher was building guitars that rivaled the mainstays of Gibson and Martin. Notables such as Doc Watson were early adopters of the Gallagher “mojo” that still provides an appealing choice for guitarists around the world.” – Jeff Looker
With little keeping me from a custom Gallagher order, I email 3rd generation Stephen Gallagher to enquire, “Can you make a 000 short scale Doc Watson model?” I’m surprised to get a call back so quickly, not about the order, but with additional information for this article. Thanks, Stephen!
A few tidbits: On the headstock is a stylized “G” for Gallagher? That Olde English G came from the Shelby Times Gazette newspaper … pre-internet. The Gallagher headstock design is called a French Curve. J.W. was looking for something original. This simple design spied on an obituary spawned another weekly installment of American Toolbox!
At the time, it was unneeded by me. In a drawer it sat until my decades-old wallet was deconstructing. Out of the drawer, loaded with a thin stack of plastic and business cards, with cash folded between, this Bosca became the perfect minimalist wallet. Fine leather, super thin. Easily a $90 bifold card case.
But when this “wallet” can no longer take daily abuse, I find it is no longer manufactured! Bosca now does all their assembly in Asia. Thank you, no. My American cash is more comfortable in an American wallet.
Michael Hicks Design
Within the orbit of American Toolbox the right craftsperson enters. Michael Hicks Design, starting up his leather craft business in ernest, listens to my needs. Offers multiple combinations of the finest ¾ oz Horween Chromexcel horse leather. Sends a couple sample card cases for comment. In no time, the finished product. How timely!
The USA-made Bosca, no longer available, gave a final rip along the seams mid-week. Without hesitation, my gear slipped into the Hicks. A perfect fit. This card case / wallet will work forever. Plus, it is completely recraftable. Like my Aldens.
Ah, Memphis . . . Barbecue & Blues. Birthplace of Rock’n’Roll. Home of the world leader of premium components for HVAC, plumbing and industrial solutions. – mueller
When the weekend call echoed through our cavernous studio workshop, we dropped our tools of invention and focused. An ice bin drain had to be installed right away! I turned to the leaders in copper fittings, Mueller. A quick trip to the BigBox home improvement center later, I was in direct ownership of a small expensive box of precision copper parts. Exactly what we need to look again like the pros we profess to be.
An hour later, Joanna’s brand new ice bin sports a brand new melt-water drain. The copper tubing is L-grade, far heavier than we need for this application. The fittings? Pressure-grade. All for a gravity drain of 18″ developed length. The entire assembly we will give a 1,000 year warranty.
Aug 11, 2015 – Republican presidential candidate Donald Trump
AP Photo/Carlos Osorio
Thousands of years ago Neanderthals used animal glues in their paints to guard their works from moisture. ◊ As pyramids rose from northern Africa, craftsmen used animal glue in casket assembly for their Egyptian Pharaohs. Since the 16th century, hide glue has been used in construction of violins.
Why so popular? Can’t speak for all. For luthiers, exceptional sheer vs. tensile vs. brittle strength make hide glue perfect for exacting requirements. Modern technology has not synthesized an improvement. Baring government mandate, what is not broken will hopefully not be fixed.
Shortly after instruments appeared on my front stoop, it became apparent the small jar of hide glue gifted by a violin technician would soon empty. Every instrument, nearly, had some top separation. Were they all faulty? No. A violin top is glued as close to failure as possible. Humidity and temperature alter the shape of a violin. You want a top to detach from ribs (sides) rather than remain firmly glued, which would lead to a cracked top.
Behlen has a proven track record with ATB with their stringed instrument lacquer. Research shows Behlen hide glue the most popular and trusted. We ordered the gold standard of granular hide glues. Following directions on the can, failure became familiarity. Success followed. Advice from David brought it all together. The Goldilocks Principle. Not too thick, not too thin. Just right. Temperature has a lot to do with it. A digital thermometer is most helpful, in lieu of an actual “glue pot”.
Special thanks to David Michie Violins, 1714 Locust St, Philadelphia, for their donation of older-style cello clamps pictured below.