Waiting for the “right job” to come up was taking forever. I’d been wanting this compact manganese bronze hand plane upon first sight online, and began rationalizing the purchase as a ‘deserved’ luxury item after handling one at a Lie-Lielsen Hand Tool Event® a year ago.
Opportunity came in the form of a mid-19th century French-made Sébastien Kloz violin. She wanted a little nip and tuck fitting back into her old clothes. With chisel and file, it could have been done. But for precision, and in a far more civilized manner, she wants the Lie-Nielsen Violin Maker’s Plane. Perfect results, as anticipated! Depth of cut adjustment was exact and did not ‘creep’ after tightening. You spend more for quality, but you get more satisfaction. Long after the price tag is forgotten.
At about the same time, a Depression-era Antonio Stradivari copy – probably a copy, but one never knows – came knocking for a bit of fingerboard thinning. The Stanley Handyman again, at 9-1/4″, or the Lie-Nielsen 101, at 3-7/16″? The USA-made vintage Stanley performs admirably but is a bit top-heavy and too big. The Lie-Nielsen 101 finished the job with perfect control, but is a bit too small for shaping a 4/4 violin ebony fingerboard. Maybe a Goldilocks Plane exists, juuuuust right. The Lie-Nielsen 102?
Where the Lie-Nielsen came through with presidential prowess? Cutting a tiny bevel along the edges of the fingerboard. I forgot to put them in when the nut and strings were off, but the 101 is perfectly suited for close, delicate work. Since the nut was already glued, a gentle swipe with my Lie-Nielsen scraper seamlessly finished up the last bit of bevel.