Among the dozens of fine mandolins waiting patiently in Jeff Looker’s acoustic instrument emporium hang a couple of the most beautiful specimens one can imagine. With perfect, almost luminescent ivory-like finish across the top and sumptuous walnut-stained flame maple back and sides, two Collings mandolins captivate the eye – and ear. One an f-hole model, the other an oval hole. Amazing Jeff would have one of each!
Usually I introduce my punchy bluegrass style to the f-hole variant. But with its rare one-piece back, the oval hole model beckons. Designed for celtic, old-time, classical, and jazz styles, I none-the-less rip into bluegrass and fiddle runs. The oval hole top brings out a new complexity, a surprising openness of depth, sustain, and overtone. More expressive? Probably, but I’m no expert. Regardless, I am a convert, and can imagine playing this Collings in the bluegrass circle, where plenty of fiddle and folk tunes cross over into the celtic realm.
Instruments get better with age. So can manufacturers. Hugh Mason’s 2003 MT2 sounds and plays a certain way. The latest offerings from Collings? At times I’ve got to admit, even better!