Bourgeois Guitars

American Made • Acoustic Guitars

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Vacation comes both to the worthy and contemptible.  While ability to produce this week’s article exists, deeply rooted summer lethargy blooms upon my imagination.  But all is not lost.  An opportunity for a roundup of recent posts presents itself.  A perfect time to spotlight American-made acoustic instruments!

A FEW WORDS ABOUT my favorite luthiers (more later this year!)

jayne henderson • luthier

wayne henderson ◊ luthier

Reviews of instruments from Jeff Looker’s Acoustic Vibes Music:

Bourgeois Guitars ◊ Lewiston, Maine

Collings OM3 ◊ Austin, Texas

Bedell Guitars ◊ Bend, Oregon

Weber Bitterroot Mandolin

Deering Vega® SENATOR Banjo

Acoustic Vibes • Tempe AZ

Just thought I’d mention these . . . 

Mid-1990s Guild Guitars

Vintage Peavey T-25 Electric Guitar

Bourgeois Guitars ◊ Lewiston, Maine

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Jeff Looker had turned his retirement plan into a destination instrument shop.  Hundreds of high-end acoustic guitars.  Santa Cruz!  Collings!  Half a dozen Martin Custom Shop 000’s.  A chance visit with this rare grouping kept me repeatedly occupied.

Humbly I ask Dana Bourgeois to forgive my inattention to his guitars.  Not until the seventh or eighth visit did I try a Bourgeois.  A simple mahogany OM short scale with Sitka spruce top.  The package of options Bourgeois calls their Country Boy*.  I was holding a Bourgeois Country Boy OM Short Scale.

Wow! Where have you been my whole life, darlin’?

Giddy with anticipation, the OM begins playing as soon as my hand rests upon the fingerboard.  My reaction, with no hyperbole nor financial compensation:  This is the finest mahogany guitar I have ever played!

“That isn’t me. What kind of trick is this?”  Looking down, I’m astonished to see the guitar nearly playing itself, my fingers immediately at home on this newly met field of frets.  I lean back, enjoy the music, and listen to a perfect guitar.

Country Boy sports a complete sound.  Absolute balance across the spectrum.  Not cocky, but confident.  The tone mature, captivating.  Clearly not a production-line product but a  construction lovingly born of faith and imagination.

More description?  OK, try this:  Punchy midsection.  Perfect intonation.  Powerful resonance.  No mud, conspicuously lacking in the usual trouble area,  midrange chords up the neck.  The guitar is full & open.  Again, it makes me play far better than usual.  My fingers move across fretboard as thought listening to someone else.

Even light groups of notes up the neck on the lower strings resonate perfectly with nary a misplaced overtone.  Country Boy has soul, a perfect transcendental musical experience.

After two visits with Country Boy, I am a believer. Jeff also stocks the Adirondack top Country Boy OM, but the Sitka is the one which talks to me with gracious warmth, forever my friend.

* When Ricky Skaggs suggested the name “Country Boy” for our mahogany dreadnought, we all fell on the floor. We still wonder where he got such a great idea for a name! Admittedly, depending on which Body Style is used with this traditional combination of spruce and mahogany, you can get pretty far removed from anything remotely “country” in look and sound. Over the years we have considered changing the name but we can’t, it was a gift! – bourgeoisguitars.net