D’Addario Bluegrass Mediums
Through a summer haze of bug bites, various skin infections and rashes, even intermittent sun poisoning despite the best efforts of La Roche-Posay, we’ve again dropped into the lap of another week. Without a story. But we are close. Like this week, stringing newly acquired ½ and ¼ size fiddles. The bench is littered with wrappings from D’Addario, their Helicore strings. Nearly every fiddle refurbishment gets Helicores.
While competitors put “student quality” strings on their fiddles, Helicores have proven, again and again, to product better tones, making my efforts so much more satisfying. The thrilling grin of a teacher giving feedback on a fiddle unplayed for decades, the student who buys or borrows the instrument, even myself, largely untrained.
Constant improvement, meticulous attention to quality, a true value despite their cost. It’s D’Addario for me. Mandolin, guitar, violin, even Pete’s bouzouki wears D’Addario.
Helicore violin strings are crafted with a multi-stranded steel core, resulting in optimal playability while producing a clear, warm tone. The smaller string diameter provides quick bow response. Premium quality materials combined with skilled workmanship produces strings known for excellent pitch stability and longevity. D’Addario
All good things come to an end. The 18 month loan of Hugh’s mandolin reached an inevitable conclusion. Lavish attention restored his battered and worn mandolin to a memory of factory gleam. Even more hours, summer picking under the old oak tree in Hockessin, returned some dirt and dullness to its finish. Time for spa treatment.
Strings into the rubbish bin. Gentle wipe-down with a hot damp slightly soapy cloth, first the body, then the neck. Extra attention to the fret board. Looking a little dry, methinks. Time for Behlen!
When Mohawk sponsored a banner ad in July 2016, they sent me a box of product to try out (actually, I sent a list of stuff I wanted). Included? Their fancy Behlen Fingerboard Oil. Not just a step up from mineral or boiled linseed oil. Far beyond, it turns out. A crisp hard finish. A Zamboni treatment for my fretboard, without the ice.
First I used it on the ’70s Conrad banjo. Then the Framus cello. And now, full circle, we have arrived at Hugh’s mandolin. The product has proven itself. A professional-quality sealer applied on instruments I own, use, and sell.
An Indonesian-made 1990s Hohner guitar and a 1970s Japanese-made Madeira (by Guild) guitar both received this magic elixir. Fan-TAS-tic results. One’s finger’s literally glide along the fingerboard. Moments ago, my newly returned and beloved 1996 Guild D4 fingerboard was refinished. Tomorrow, with D’Addario Bluegrass Mediums carefully wound, we’ll be flat-picking a lively homecoming!
Luthiers discuss the best treatment to an instruments’ fingerboard with cantankerous zeal. Only among cat food debates will you find more acrimonious opinions. There are generally two old-school options: mineral oil and boiled linseed oil (“BLO”). Almond oil is another, which I classify similar to BLO.
Turning to National Finishes Expert Phillip Pritchard, I ask, “What makes Behlen’s product so good?” Our Fingerboard Oil contains a resin binder that hardens in the wood to give a more permanent finish than a non-curing mineral oil or boiled linseed oil alone. Our product applies and looks like an oil finish but has a crisper feel and doesn’t require the maintenance of a non-drying oil. “What is its base? How does it smell to you?” It contains mineral spirits and has an oily hydrocarbon smell.
Fast curing, crisp finish. Odor? Not really. –editor