LET THE TRUTH be told. I didn’t read the book. But I was deeply entertained with the fine narration by Richard Ferrone. Richie’s voice came through my truck speakers, via a library loan of the book on MP3. I highly recommend an audio book over news stations and most music.
Face it, you don’t need to hear the news. You don’t want to hear the news. It is so often mindless content, inflicted by media conglomerates in greedy desire to suffer upon you countless product advertisements for which you have no interest.
The story (yes, we are now back to literary discussions) is a neat tale of a loafer computer dude working at a bank, who discovers a narco criminale’s bank account. Humm. Easy pickings! Back door, multiple wire transfers, buy lots of gold. Scram! Easy! Done! Not!
Then comes the DEA, the Mexican Federales, the Minnesota Bureau of Criminal Investigation, 22 million in gold, the narcos, and of course, Lucas Davenport. John Sandford writes an exceptionally successful and hugely popular series (judging by the number of his books at the library!) featuring Lucas Davenport, an agent for the Minnesota Bureau of Criminal Investigation. Lucas has BUCK$, wears Italian loafers, and drives a Porsche. Clearly, your typical law enforcement officer.
What I liked about the story was that it was simple enough to be believable, but had enough twists to keep me guessing. The story line was never lost or disjointed, which is great when listening a few minutes at a time. The bad guys got their just deserts (some of them) and the deserving got theirs. Most importantly, the humor is supreme. So are both storytellers.
The great hand-cream discussion, continued . . .
IN THE COURSE of human events, the typical male receives several containers of hand cream EVERY YEAR from those who know better. So it sits. And sits. And sits. The Burt’s pictured above, I received . . . ten years ago? Maybe longer? The Badger Balm is a year old, and I just opened it. The fancy stuff, the Boticario, was a holiday gift which I do not use. But here are the basics of hand cream for males:
Burt’s – Waxy but effective. Great for landscapers.
Badger – Fantastic in a medicated manner. Perfect for the semi-retired plumber.
Boticario – A bit more water-based, so it seems to moisturize and protect less. The most perfumed. Excellent choice for the stockbroker who commutes by train, walking to the station in all seasons.
In truth, smaller is better. Burt’s sells a little green tin of goo I put on my cuticles just before they begin cracking, and that’s enough. Res-Q Ointment.
THE KNIFE IS the most important tool ever invented. Five of the 20 most important tools are derived from the knife (the chisel, the lathe, the saw, the scythe and the sword, in case you are testing your game show skills). Is it any wonder so many men choose to carry a pocket knife everywhere they go? How handy it is for cutting, prying, poking, and slicing.
An American knife maker came to my attention through his perfectly proportioned work; graceful blade, substantial handle, artistic mating of wood to metal. Although not a hunter, I could not resist doubling my collection of fine cutlery with the addition of this knife.
Why own a knife like this? If you ever go camping (not INSIDE the Franklin Institute with the Boy Scout Troop, mind you), a knife is the #1 tool you’d want to improve your site. This beauty from Sandown Forge features CM154 stainless steel heat treated to a Rockwell C hardness of 59. Bad a§§ hard! Go ahead and hack down the surrounding forest! You won’t hurt the knife. A hunter in the family, you say? This is the perfect belt accessory for wild pigs through bison. Gotta process the harvest for transport.
And for the gentleman philosopher, tilted back in his office chair after another nail-biting day on Wall Street? It’s a really well crafted knife, screaming QUALITY. Great for making your buddies jealous. A gentle reminder that it’s just a few steps from the trenches, knife in hand, fighting for your life.
TRIANGULAR properties left over after subdivision may be a burdensome possession to the developer. Fortunately, there exist the intrepid builder and amateur architect willing to take lemons and create meringue pie. Passing such a property regularly as I walk to the Post Office, one comes to appreciate, six decades ago, a young man’s vision to mate a six-sided home into a three-sided corner property.
In the mid-1950s, a young cabinetmaker, just married, built this house on newly subdivided farmland a ten minute walk from City Hall. His practice thrived. He lived there the remainder of his life. A decade after his
death, his house was being cleared out for the next occupant. Walking by, I struck up a conversation with the laborers, and was offered a glimpse into the basement workshop. All the tools had been passed to a younger generation. There remained, however, this nice box made by the cabinetmaker early in his career. Rather than allow the locking aluminum-clad craftsman’s toolbox a one-way trip to the rubbish hauler, I brought it home. At present, the box stands on it’s end by the corner of my living room, a pedestal to a flower-pot under a window.
“A room without books is like a body without a soul.” – Cicero
First, with a partner, came Big Jar Books on North 2nd Street, Old City, Philadelphia. Big Jar eventually sold; Pat then opened Brickbat Books on South 4th as a solo-owned boutique collection for the more esoteric among the literaria.
Unto this sparse establishment was lent a collection of wooden benches, platforms, and tables, all carved from lengths of 12″ x 12″ solid oak and poplar. The story, not independently verified, is that a local plumber found a pile of giant landscape ties discarded by a century-old insurance firm in West Philadelphia. Inspired hours with chainsaw, belt sander, and angle-grinder transformed some of the wood into the pictured objets d’art.
The collection has become famous although the identity of the artist remains shrouded in mystery.
What to give a blacksmith?
WHAT a fantastic book! The detail Mr. Lent incorporates into his main characters’ trade, blacksmithing, is sure to appeal to any tradesman. A solitary man, living alone, living with his demons, rediscovering love. Again, a complex effort by Mr. Lent, which will enrich your life. I invite you to visit any library in America, locate this book of fiction, and try the first three paragraphs in a quiet nook. Time permitting, you’ll sit for the first chapter of 50 pages and leave with the book under your arm.
Jeffrey Lent was born in Vermont and grew up there and in western New York State, on dairy farms powered mainly by draft horses. He lived for many years in North Carolina, an enriching and formative experience. Lent currently resides with his wife and two daughters in central Vermont. – Grove Atlantic
Pennsylvania Ballet • Serenade • Choreographer: George Balanchine
IF YOU WERE permitted one cultural performance your entire life, what would you choose? The Doors in Madison Square Garden? Pavarotti singing below the Eiffel Tower? A recital of wooden flute in an Aurignacian cave?
After attending the first ballet performance of my life, I can attest there is one answer only to this question: a ballet performance of Serenade.
“Now, hold on a minute”, you are probably thinking. Just who is this George fella? George Balanchine was the finest choreographer that ever lived, says just about everyone who studies this for a living. “And what, exactly, is this Serenade?”
Backing up a little, we remember Tchaikovsky wrote, in 1880, Serenade for Strings in C. Inspired by his time in Italy, this piece supremely exhibits a relaxed buoyancy and melodic richness. Perfect, one thinks, for ballet. This piece, however, was not written for Mr. Balanchine. Sadly, by eleven years, the two men missed the other’s worldly existence.
A few decades later, as a young man, Mr. Balanchine heard Tchaikovsky’s Serenade, and wrote, to accompany this music, a perfect dance he also called Serenade. To answer your question, finally, Serenade, first performed in 1934, is a ballet by George Balanchine to Tchaikovsky’s Serenade for Strings in C, Op. 48.
Tchaikovsky’s score is fulfilling and romantic; the ballet performance is this but so much more. Beauty and grace one rarely encounters in a world of survival comes alive through the imagination and vision of one man. The dance designed by Mr. Balanchine will transport one in a manner the Manly Man, hiding tears, may not acknowledge. Women, however, will openly be thankful for the beauty of all Mankind.